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| Broadcasting's Most Comprehensive Online Buyers Guide |
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Camera Support
Cameras are expensive. Placing a $50,000 camera on a $50 tripod makes little sense, however, buying a $1000 tripod for a $1000 camera can be hard to justify. As camera prices have fallen, expensive support systems have become a larger percentage of the purchase, and manufacturers have had to adjust. While the most common units are still tripods, monopods and several alternatives are available for supporting today's cameras.
Portable units must be lightweight and durable. Nearly everyone has seen the damage that occurs to portable systems used by news and production crews. Studio units must be smooth and capable of supporting large camera/lens combinations. Motorized units must be reliable and operate in way that mimics human operators.
A variety of models, types and accessories exist on today's market. Usage patterns and needs differ depending on the task. Most studio units will never go beyond the studio walls or be exposed to more than a small temperature swing. Field units may be expected to work in below freezing temperatures as well as in temperatures in the triple digits. Field units must also suffer through the effects of rain, dirt and over-zealous handlers. The best choice for you is the one that supports your individual needs and will stand up to the rigors of the job at hand. |
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